This blog was created on August 24 2010 by Quan Tran in the class funds of photo. It shows that we study the artists and their works. We also study about the cameras and we actually get to use them. What is a better way to study your cameras then actually use them.
Tuesday, September 14, 2010
Cyanotypes
The cyanotype, also known as a blueprint, is considered among the easiest of all the historical methods. Dating from 1842, this classic Prussian blue process is a great place for both beginners and accomplished artists alike to explore. Cyanotypes are economical, permanent, have few pitfalls, and are versatile in that a variety of toning effects are possible.

Chrysotypes
Based upon Sir John Herschel’s gold printing process, Dr. Mike Ware will carefully guide you through a process of making prints which display hues from delicate reds and pinks to blues and blacks.
Carbon and carbro
Patented in 1846 by Joseph Swan, carbon prints typically utilize a pigmented tissue, potassium dichromate , and gelatin to create images of amazing beauty and longevity. Carbro printing follows much of the same procedure as carbon printing while utilizing a bromide paper.
Bromoils & oil
Bromoils, oilprints, resinotypes and oleobroms: Early twentieth century processes which begins with a silver bromide print and ends with an oily or inked print of alluring elegance.
Monday, September 13, 2010
Cynotypes
Cyanotype is a photographic printing process that gives a cyan-blue print. The process was popular in engineering circles well into the 20th century. The simple and low-cost process enabled them to produce large-scale copies of their work, referred to as blueprints.
Friday, September 3, 2010
Nadar
Félix Nadar was the pseudonym of Gaspard-Félix Tournachon (6 April 1820 – 21 March 1910), a French photographer, caricaturist, journalist, novelist and balloonist. Some photographs by Nadar are marked "P. Nadar" for "Photographie Nadar"
Around 1863, Nadar built a huge (6000 m³) balloon named Le Géant ("The Giant"), thereby inspiring Jules Verne's Five Weeks in a Balloon. The "Géant" project was unsuccessful and convinced him that the future belonged toheavier-than-air machines. Afterwards "The Society for the Encouragement of Aerial Locomotion by Means of Heavier than Air Machines" was established, with Nadar as president and Verne as secretary. Nadar was also the inspiration for the character of Michael Ardan in Verne's From the Earth to the Moon.
http://en.wikipedia.org/wiki/Nadar_(artist) 9/3/10
Around 1863, Nadar built a huge (6000 m³) balloon named Le Géant ("The Giant"), thereby inspiring Jules Verne's Five Weeks in a Balloon. The "Géant" project was unsuccessful and convinced him that the future belonged toheavier-than-air machines. Afterwards "The Society for the Encouragement of Aerial Locomotion by Means of Heavier than Air Machines" was established, with Nadar as president and Verne as secretary. Nadar was also the inspiration for the character of Michael Ardan in Verne's From the Earth to the Moon.
http://en.wikipedia.org/wiki/Nadar_(artist) 9/3/10
Wednesday, September 1, 2010
Hippolyte Bayard
Hippolyte Bayard (20 January 1807 – 14 May 1887) was one of the earliest photographers in the history of photography, inventing his own photography process known as direct positive printing and presenting the world's first public exhibition of photographs on 24 June 1839.
he direct positive process involved exposing silver chloride paper to light, which turned the paper completely black. It was then soaked in potassium iodide before being exposed in a camera. After the exposure, it was washed in a bath of hyposulfite of soda and dried. The resulting image was a unique photograph that could not be reproduced. Due to the paper's poor light sensitivity, an exposure of approximately twelve minutes was required. Using this method of photography, still subject matter, such as buildings, were favored. When used for photographing people, sitters were told to close their eyes so as to eliminate the eerie, "dead" quality produced due to blinking and moving one's eyes during such a long exposure.
http://en.wikipedia.org/wiki/Hippolyte_Bayard 9/1/10
he direct positive process involved exposing silver chloride paper to light, which turned the paper completely black. It was then soaked in potassium iodide before being exposed in a camera. After the exposure, it was washed in a bath of hyposulfite of soda and dried. The resulting image was a unique photograph that could not be reproduced. Due to the paper's poor light sensitivity, an exposure of approximately twelve minutes was required. Using this method of photography, still subject matter, such as buildings, were favored. When used for photographing people, sitters were told to close their eyes so as to eliminate the eerie, "dead" quality produced due to blinking and moving one's eyes during such a long exposure.
http://en.wikipedia.org/wiki/Hippolyte_Bayard 9/1/10
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