Henri Cartier Bresson

Henri Cartier-Bresson (August 22, 1908 – August 3, 2004) was a French photographer considered to be the father of modern photojournalism. He was an early adopter of 35 mm format, and the master of candid photography. He helped develop the "street photography" or "real life reportage" style that has influenced generations of photographers who followed.
Although Cartier-Bresson gradually began to be restless under Lhote's "rule-laden" approach to art, his rigorous theoretical training would later help him to confront and resolve problems of artistic form and composition in photography. In the 1920s, schools of photographic realism were popping up throughout Europe, but each had a different view on the direction photography should take. The photography revolution had begun: "Crush tradition! Photograph things as they are!"^{[citation needed]} The Surrealist movement (founded in 1924) was a catalyst for this paradigm shift. Cartier-Bresson began socializing with the Surrealists at the Café Cyrano, in the Place Blanche. He met a number of the movement's leading protagonists, and was particularly drawn to the Surrealist movement's linking of the subconscious and the immediate to their work.
http://en.wikipedia.org/wiki/Henri_Cartier-Bresson 9/20/10

Robert Capa

Robert Cappa born Endre Ernő Friedmann^[1], was a Hungarian combat photographer and photojournalist who covered five different wars: the Spanish Civil War, the Second Sino-Japanese War, World War II across Europe, the 1948 Arab-Israeli War, and the First Indochina War. He documented the course of World War II in London, North Africa, Italy, the Battle of Normandy on Omaha Beachand the liberation of Paris. His action photographs, such as those taken during the 1944 Normandy invasion, portray the violence of war with unique impact. In 1947, Capa co-founded Magnum Photos with, among others, the French photographer Henri Cartier-Bresson. The organization was the first cooperative agency for worldwide freelance photographers.
9/20/10
http://en.wikipedia.org/wiki/Robert_Capa

Vocabulary

Bracketing-is the general technique of taking several shots of the same subject using different or the same camera settings.
Depth of Field- is the portion of a scene that appears acceptably sharp in the image.
Exposure-is the total amount of light allowed to fall on the photographic medium (photographic film or image sensor) during the process of taking a photograph.
Metering- refers to the way in which a camera determines the exposure.
Shutter speed- is a common term used to discuss exposure time, the effective length of time a camera's shutter is open.
Film Speed- is the measure of a photographic film's sensitivity to light, determined by sensitometry and measured on various numerical scales, the most recent being the ISO system.

Cyanotypes

The cyanotype, also known as a blueprint, is considered among the easiest of all the historical methods. Dating from 1842, this classic Prussian blue process is a great place for both beginners and accomplished artists alike to explore. Cyanotypes are economical, permanent, have few pitfalls, and are versatile in that a variety of toning effects are possible.

Chrysotypes

Based upon Sir John Herschel’s gold printing process, Dr. Mike Ware will carefully guide you through a process of making prints which display hues from delicate reds and pinks to blues and blacks.

Carbon and carbro

Patented in 1846 by Joseph Swan, carbon prints typically utilize a pigmented tissue, potassium dichromate , and gelatin to create images of amazing beauty and longevity. Carbro printing follows much of the same procedure as carbon printing while utilizing a bromide paper.

Bromoils & oil

Bromoils, oilprints, resinotypes and oleobroms: Early twentieth century processes which begins with a silver bromide print and ends with an oily or inked print of alluring elegance.

Cynotypes

Cyanotype is a photographic printing process that gives a cyan-blue print. The process was popular in engineering circles well into the 20th century. The simple and low-cost process enabled them to produce large-scale copies of their work, referred to as blueprints.

Nadar

Félix Nadar was the pseudonym of Gaspard-Félix Tournachon (6 April 1820 – 21 March 1910), a French photographer, caricaturist, journalist, novelist and balloonist. Some photographs by Nadar are marked "P. Nadar" for "Photographie Nadar"
Around 1863, Nadar built a huge (6000 m³) balloon named Le Géant ("The Giant"), thereby inspiring Jules Verne's Five Weeks in a Balloon. The "Géant" project was unsuccessful and convinced him that the future belonged toheavier-than-air machines. Afterwards "The Society for the Encouragement of Aerial Locomotion by Means of Heavier than Air Machines" was established, with Nadar as president and Verne as secretary. Nadar was also the inspiration for the character of Michael Ardan in Verne's From the Earth to the Moon.
http://en.wikipedia.org/wiki/Nadar_(artist) 9/3/10

Hippolyte Bayard

Hippolyte Bayard (20 January 1807 – 14 May 1887) was one of the earliest photographers in the history of photography, inventing his own photography process known as direct positive printing and presenting the world's first public exhibition of photographs on 24 June 1839.
he direct positive process involved exposing silver chloride paper to light, which turned the paper completely black. It was then soaked in potassium iodide before being exposed in a camera. After the exposure, it was washed in a bath of hyposulfite of soda and dried. The resulting image was a unique photograph that could not be reproduced. Due to the paper's poor light sensitivity, an exposure of approximately twelve minutes was required. Using this method of photography, still subject matter, such as buildings, were favored. When used for photographing people, sitters were told to close their eyes so as to eliminate the eerie, "dead" quality produced due to blinking and moving one's eyes during such a long exposure.
http://en.wikipedia.org/wiki/Hippolyte_Bayard 9/1/10